Monday, 16 April 2007

Who is Corinne Bailey Rae?


Corinne Bailey Rae was born on February 26, 1979 in Leeds, West Yorkshire, to a Kittisian father and an English mother, and she was the eldest of three daughters. Her musical career began at school, where she studied classical violin before she turned her attention to singing. On her website, corinnebaileyrae.net, she explains: "I started off singing in church, I suppose, but people think it must have been a gospel church because of the whole, you know, black assumption. But it wasn't gospel at all, it was just your regular Brethren church, very middle-class, where we would sing these harmonies every Sunday. It was always my favourite part of the service, the singing."

She would later transfer to a Baptist church, however, where the choir would sing traditional hymns, and Primal Scream songs. "We changed the words though," Rae states on her website. "We didn't want to offend the regular churchgoers, now did we?"

Her love for music was deepened by performing in church, and when her youth leader offered to but her an electric guitar, it was a sign. In her mid-teens, she was heavily influenced by rockers Led Zeppelin, and was fueled to make music of her own. She formed an all-female indie-rock group called Helen, which was inspired by similar acts such as Veruca Salt and L7. “It was the first time I'd seen women with guitars. They were kinda sexy – but feminist. I wanted to be like that, at the front of something,” she says on the website.

However, this dream was not meant to be as the bassist became pregnant and the group disbanded.

After this disappointment, Corinne headed to the University of Leeds, where she majored in English Literature. While at University, she worked as a hatcheck girl in the evenings in a local jazz club. She was permitted to sing on stage with the jazz band when business was slow, and she soon discovered a different type of music that set her on a completely different musical path. “I kept hearing this jazz and soul stuff and I realised I loved that music too,” she says. It was there also that she met saxophone player, Jason Rae, who she married in 2001. He now plays in her band. He's in the "Trouble Sleeping" video (the shorter of the two sax players, without the hat).



She worked on solo material over the next three years, collaborating with Leeds-based funk group The New Mastersounds on the track “Your Love Is Mine”, featured on their 2003 album Be Yourself, which was released by One Note Records. In 2004, she again worked with another Leeds-based group, Homecut Directive, on the song "Come the Revolution", which was the first single from the group's debut album. Later that year, she was signed by Global Talent Publishing and then approached by Craig David’s mentor Mark Hill, from the duo The Artful Dodger, to appear on his new album better luck next time under his new alias, The stiX. The song, “Young and Foolish”, was released in April 2005, and Rae began to receive attention from major record labels. “Like a Star”, her debut single, was released in November 2005 and her self-titled album followed in February 2006. In September 2006, Rae won two awards at the UK's Music of Black Origin (MOBO) Awards for "Best UK Newcomer" and "Best UK Female".



Rae also received three nominations at the 2007 Grammy Awards: “Record of the Year”, “Song of the Year” (both for “Put Your Records On”), and “Best New Artist”. She was also nominated for two Brit awards, and performed “Put Your Records On” to close the show.



Corinne Bailey Rae re-released the album in February with nine new and remixed tracks. She is currently on her first UK tour.

P.S. Info sourced from Corinne's website and wikipedia.org.

Sunday, 15 April 2007

Album Review - CORINNE BAILEY RAE



I must admit that I wondered what all the hype was about the first time I heard this CD. It just didn't grab me. However, a second listen showed me that sometimes, you just gotta look (or listen) twice. Her hazy, slightly raspy voice, smoothly layered over languid guitar, sultry horns and cool percussion was simply captivating.

The opening track, "Like A Star", is a dreamy piece of heaven. If you have ever been in love, even a little bit, this song will make you remember why you fell for your significant other. The album then smoothly segues into "Enchantment", a hypnotic description of falling in love. My favourite line is "I tightrope walk with a blindfold on my eyes". It doesn't get much better than that.

Here she performs "Enchantment" live:


The overall theme of the album is love: wanting it, finding it, being all wrapped up in it, and unfortunately, losing it. "Choux Pastry Heart" will break your heart and have you reaching for tissues. "Till It Happens to You" captures the pain and confusion of watching love disappear, even while you're in the relationship.

Don't worry that the album is all mushy ballads and heartache, though. The sublime girl's anthem "Put Your Records On" will have you dancing and singing into your hairbrush in front of the mirror. It captures quite easily the spirit of summer as well as the feeling that no matter what has gone wrong in the past, you'll get it right eventually. You'll definitely want to "let your hair down", as she sings. "I'd Like To" is another standout track. It's a shout-out to 'back in the day' when things were just simpler and life was more fun (you know, before you grew up). It's also the album's 'sexy' song, with the teasing line "I'd like to put my fingers on you" making it just naughty enough to tickle your, um, fancy.


(AAAWWW! WOW! Thanks, but I didn't make this wicked collage, ok? Wish I did, but it came from the same place all the other pics here did: images.google.com)

All in all, there's something for everyone on this album. It's a self-assured debut, sweetly crafted and intelligently, evocatively written. It's good to know that in this day and age of beats, video girls and empty lyrics, somebody out there is still bent on doing good music.

Here's the album, with a few additional tracks. Enjoy!

Rating: ****

Monday, 9 April 2007

My favourite song is...



I have been listening to the album consistently (like every day, several times) since I copied it from my flat-mate. I discover something new and special every time I listen to it, and each time, a new song emerges as my favourite.

At first, it was the delicate “Like a Star”, but then I ain’t in love with nobody, so… I moved on to the philosophical “Seasons Change” because it just spoke to me. Life’s a female dog, and if anything can go wrong, it does. And fast. However, sometimes, you get to experience spring. My favourite line is “Patience is a virtue and life is a waiting game.” Ain’t that the truth. I’ve been waiting on spring since forever and patience is not something I’m gifted with. But I digress. You don’t wanna hear all about my issues.

Seasons Change


Lately, I’ve become enamoured with “Enchantment”. It’s sheer poetry, and I love me some poetry. I’m not too sure whether it’s about falling in love or having an illicit affair (which involves falling in love, too, right?) Inconsequential. Di song MAD! (Oh, sorry. For those of you who only speak English: the song is INSANE!) As I’ve said before, the line of the song is “I tightrope walk with a blindfold on my eyes.” It expertly captures the risk and mystery of falling in love.



When I’m in a good mood, the song that helps to cement it is “I’d Like To”. It’s got a funky beat; you can shake a leg to it. It’s also nostalgic – even though I can’t relate to the events and experiences she reminisces on. (By the way, has there ever been a heat wave anywhere in England?) She’s a master storyteller, recounting scenes from her early life that give her as much pleasure as being with whoever the song is dedicated to. She gives a great performance of this song on popworld, a popular British television programme. What I love most about the song is that it’s totally ‘singalongable’, even if you’re like me and couldn’t carry a tune if someone put it in a bucket and handed it to you. It’s similar to but not quite the same vibe as “Put Your Records On”, which is a straight-up “girl power” anthem.

I'd Like To


I found “Daydreaming” (as well as a few more songs from the new version of the album and other stuff she has covered) on imeem.com and fell in love with it instantly. It’s a stripped-down tune with a simple, catchy hook and an almost ethereal feel to it – like gossamer, as she says in “Enchantment”. The lyrics and harmony are practically tactile. It’s like you can feel it against your skin, like someone whispering into your ear, which is exactly the kind of intimacy she sings about. Girlfriend sure knows how to create a mood. I also love love LOVE the sweeping crescendo of violins and smoky background harmonies in "Call Me When You Get This". It's so beautiful.

Call Me When You Get This

Okay, so now you know my favourite Corinne Bailey Rae songs, but you also know that with everything in life, there’s gotta be something bad, right? So, what is the one song I think the album could’ve done without?

When I find it, I’ll let you know.

Monday, 2 April 2007

Corinne for Air Jamaica Jazz and Blues Festival 2K8!



This is a plea to anyone who’s in charge of booking artistes for the annual Air Jamaica Jazz and Blues Festival: Please, pretty please with a cherry on top, y’all GOTTA get Corinne here for the show next year. I’m begging. I’ve never been to the festival (always wanted to go, but the beginning of a new semester + broke = no-go), but if she’s coming, I’ll be in Mo-bay if I have to walk on my hands to get there and cop a sleep on the damn golf course! No joke.

This is her soulful cover of Led Zeppilin's "Since I've Been Loving You":

Seriously though, she needs to be there. If Shaggy could be there (love Shaggy, ok? But at a jazz and blues festival???), Corinne should get an invite. I know she doesn’t exactly do jazz or blues, but just take a listen to the album. It’s jazz, blues, soul and R & B all rubbed up on each other. The album is, as she states on her website, “a little bit of everything: it's chilled out, acoustic, kooky, atmospheric and soulful.” Besides, how many true-blue jazz or blues singers have they had perform there, really?

This is a WICKED performance of Roberta Flack and Donny Hathaway's "Where Is the Love", done with John Legend:


Most Jamaicans probably don’t know about her, but she’d get a good response from the younger crowd, who are into the whole neo-soul groove, and I’m willing to bet that quite a few older people will like her, too. It’s been said that her voice is reminiscent of Billie Holiday’s, which should appeal to the older crowd also. After all, they’re always complaining that music is not like it was “back in the day.” Indeed, it isn’t (I was raised by my granny, so I know some stuff), so they should appreciate that a young woman is making music that is a close approximation to what they know and love. It would also be good exposure for the young and curious, some of whom probably think that rubbish like “This is Why I’m Hot” is a song. Ugh.

Also, she’d be in the Caribbean, where part of her roots lie (her father’s from St. Kitts, remember?). It would be a homecoming of sorts. And she could even pop over to St. Kitts if she wants to, you know? So we wouldn’t be the only ones to benefit.


Please, oh PLEASE, let her be at the next Air Jamaica Jazz and Blues Festival. I’ll start saving from now, I swear.

Here Corinne jazzes up Justin Timberlake's "SexyBack".